|
Community day of drumming starts a groove
The rhythm is gonna get you.
By Steve Siegel - Special
to The Morning Call
January 31, 2008
The rhythm of the drum, like the pulse of a communal heart, draws us together. Its
beat entices us to play, to dance, to let loose or just to let go. It heals us by its spirituality and bonds us with its mesmerizing
spell.
Lehigh Valley drummer and percussionist Moe Jerant, founder and artistic director of the Lehigh Valley Drum
Circle, has recognized the drum's ability to both entertain and heal since she was an eighth-grader. On Saturday, Jerant and
multi-platinum recording artist Jim Donovan -- founder of the band Rusted Root -- will celebrate the voice of the drum by
presenting the first-ever Lehigh Valley Day of Drumming.
The event features a day of drumming workshops presented by
Jerant and Donovan, followed by an evening concert highlighting African rhythms, song and dance. The concert will feature
the Jamani drummers, a local women's world percussion ensemble; ''Gathering Soul,'' a dance piece choreographed by Sarah Carlson,
associate professor of dance at Muhlenberg College, and performed by Muhlenberg dance students, and a performance featuring
Jamani, Donovan and Jerant.
Rock drummer takes his love of rhythm on the road
- January 31, 2008
At its explosive peak, the band Rusted Root could turn any crowd into a dancing mob, all driven by the mad
beat of the drum. Drummer, percussionist and founding member Jim Donovan is a multi-platinum artist who has shared the stage
with such legends as Santana, The Grateful Dead and the Allman Brothers.
Donovan left Rusted Root in 2005 and now shares
his love of rhythm by presenting drumming workshops throughout the U.S. and Europe. In the fall of 2006 he became a full-time
instructor of world music and drumming at Saint Francis University in Loretto, Cambria County. Donovan has held workshops
in the Lehigh Valley and will return Saturday to help lead the Day of Drumming.
''I met Moe at a workshop I did in
Allentown a couple of years ago,'' says Donovan, a Pittsburgh native. ''We really hit it off.''
Donovan's workshop, while based on playing African drums, has a more holistic focus to it than
just learning to beat a djembe.
Says Donovan, ''I use the drums as a way to teach how to make music with other people,
how to listen on a deeper level, and how to use drumming and breathing as ways to decrease stress and increase overall wellness.''
Although
Donovan's arsenal includes the small, cone-shaped ashiko and the ''talking drum,'' whose pitch can be changed by squeezing
or releasing its body, Jerant and Donovan are both drawn to the particular magic of the djembe. ''It's also called the healing
drum,'' says Donovan. ''When you sit down with a djembe, as soon as you hit it, it makes a really nice sound that feels instinctively
'right.' It's not the type of instrument that takes a lot of time to get something going on it. Playing it makes you feel
good as an individual and gives a sense of camaraderie when played in a group.''
While Donovan has cut back on touring
to spend more time at home with his two daughters and 3-year-old son, about three years ago he put together Drum the Ecstatic,
a five-man international ensemble that features a cappella vocals and African-influenced drumming. One of the members is master
African drummer Elie Kihonia, who inspired Rusted Root.
What Donovan values most about his 15 years with Rusted Root
is how much he learned from the groups he shared the stage with.
''Every concert was like going to school with the
masters we admired when growing up,'' he says. ''I tell you, there were so many days where I'd be standing on stage with Carlos
Santana, Jimmy Page or Robert Plant, and I'd think, 'How in the world did I end up here?' ''There were a couple of times when
Carlos Santana would watch me play, then the next day come up and say 'Hey, I want to show you something.' That's really something
when a guy like that cared enough to actually talk to me.''
Steve Siegel
|